May 26, 2025
Chinese traditional clothing relax
The hanfu is decorated with silver embroidery of clouds, stars, and cranes. The black fabric really stands out, and the embroidery is top-notch. From the intricate embroidery to the flowing silks, every detail in red hanfu tells a story of elegance and history. It includes a “Pang” (overcoat) for warmth, featuring rich embroidery and symbols of luck and prosperity. Hanfu represents the rich cultural heritage of the Han ethnic group, reflecting Confucian values such as propriety (礼) and filial piety (孝). Next time, when you want to showcase the rich Chinese culture and religious heritage of the Hans clan of China, you know where to pick your white Hanfu dresses from don’t you? The spirit’s great height influenced Sha’s whopping twelve Chinese foot (zhang er, 丈二; 12.6 feet / 3.84 m) frame (Wu & Yu 2012, vol. Not all recipients are known; among those whose names have been preserved, there were at least twelve emperors of the Holy Roman Empire, ten kings of France, seven kings of Poland, and six kings of Spain.
Additionally, three or four blessed swords and hats were given to kings of England, two or three to kings of Scots, and three each to the kings of Hungary and Portugal. This ritual of the Chinese Emperor bestowing official attire also included the official attire of the Korean Kings in the Goryeo and Joseon dynasties known as the Gonryongpo. It set out to rejuvenate Chinese fashion of the 1920s and 30s, in bright colors and with a modern twist. The emissary, entrusted with the sword and hat, instructed about the proper protocol, equipped with the pope’s letter to the honouree, as well as a safe conduct pass, set out with a small retinue, mamian qun usually in the spring following the blessing ceremony. As the matins ended, the recipient took leave of the pope and returned to his residence in Rome, preceded by a man-at-arms carrying the blessed sword and hat, and followed by cardinals, prelates, papal chamberlains, ambassadors to the Holy See, friends and retinue.
The morse of the cope was fastened on his right shoulder so as to free his arm for drawing the sword later in the ceremony. The qixiong ruqun with shoulder straps appeared to have been rarely used in China during the Tang dynasty. Hemp and ramie, traditional fabrics, maintained their importance in the Song Dynasty. If the prospective honouree was absent at the ceremony, the sword and hat, after being blessed, were carried by the chamberlain before the cross in the procession and placed on the epistle side of the altar in the basilica. On top of the hat, a shining sun with alternatively straight and wavy rays that descended towards the brim, was likewise picked out in gold thread. The hat was a cylinder made of red velvet with two lappets hanging down from its top. The right-hand side of the hat was decorated with a dove representing the Holy Spirit embroidered in pearls, while a shining sun symbolizing Christ was embroidered in goldwork on the top. The Holy Spirit together with Christ the Sun God may also be interpreted as symbolic references to God’s incarnation, a mystery celebrated on Christmas, traditional cheongsam on the eve of which the hat and the sword were blessed by a pope.
The sword was an ornate ceremonial weapon, usually large, up to 2 m (6 ft 7 in) long, with the hilt embellished with the pope’s coat of arms, and the blade with the pope’s name. Ten blessed swords from the 15th century have survived to present times, and about a dozen from the 16th century, although in some cases only the blade remains, while the more valuable hilt and scabbard have been lost. The blade was embellished with intricate engravings. By the time of Wu Zetian’s ascendancy, the weimao was in fashion while the mili had gradually disappeared. By the time of Wu Zetian’s ascendancy, the weimao was back in fashion and had spread everywhere while the mili had gradually disappeared. This practice stemmed from the Church’s stance that the pope himself was the true defender of the faith, while the prince bestowed with the sword was merely the pontiff’s armed arm. The earliest recipient of a pontifical sword and hat who is known for certain was Fortiguerra Fortiguerri, a gonfaloniere of the Republic of Lucca, who received it from Pope Urban VI in 1386. However, papal account books record payments for the manufacture of such gifts as early as 1357, and even then it seems to have been a long-established practice.